Rolls-Royce Motor Cars PressClub · Article.
SPIRIT OF ECSTASY REDESIGNED FOR MOST AERODYNAMIC ROLLS-ROYCE EVER
Sun Feb 06 10:00:00 CET 2022 Press Release
Rolls-Royce has reimagined its iconic Spirit of Ecstasy figurine to grace the bonnet of its new all-electric motor car, Spectre, 111 years to the day the Spirit of Ecstasy was first registered as intellectual property of Rolls-Royce on 6th February 1911.
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Georgina Cox
Rolls-Royce Motor Cars
This article in other PressClubs
- Iconic Spirit of Ecstasy figurine recreated for Rolls-Royce’s all-electric future
- Forthcoming all-electric Spectre is marque’s most aerodynamic product yet
- Redesign contributes to a drag coefficient (cd) of just 0.26 in early prototypes
- Product of 830 combined hours of design modelling and wind tunnel testing
- Simultaneously, Muse, the Rolls-Royce Art Programme, announces jury for Spirit of Ecstasy Challenge
- Spirit of Ecstasy Challenge sees artists create works in textile, inspired by figurine
- Spirit of Ecstasy officially registered as intellectual property
of Rolls-Royce on 6th February 1911, 111 years ago today
“The Spirit of Ecstasy is the most famous and desirable automotive
mascot in the world. More than just a symbol, she is the embodiment
of our brand, and a constant source of inspiration and pride for the
marque and its clients. Like our brand, she has always moved with
the times while staying true to her nature and character. In her new
form she is more streamlined and graceful than ever before – the
perfect emblem for the most aerodynamic Rolls-Royce ever created,
and for gracing the prow of our bold electric future.”
Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce
Motor Cars
“111 years ago today, the Spirit of Ecstasy became an official
part of Rolls-Royce. Yet, she has come to represent a spiritual
direction for our brand. Her form perfectly captures the marque –
she leans forward, expressing our relentless pursuit of progress,
and her dress gracefully flows in the wind, echoing the serenity of
our products in motion. For Spectre and beyond, she becomes lower
and more focussed; braced for unprecedented speed and the exciting
future her presence will define.”
Anders Warming, Director of Design, Rolls-Royce Motor Cars
Rolls-Royce has reimagined its iconic Spirit of
Ecstasy figurine to grace the bonnet of its new all-electric motor
car, Spectre, 111 years to the day the Spirit of Ecstasy was first
registered as intellectual property of Rolls-Royce on 6th
February 1911.
The figurine has been remodelled with a lower, more dynamic
stance that brings her much closer to the drawings made by her
original creator, the illustrator and sculptor Charles Sykes, in the
early years of the 20th century. It also sees her physical
form represent The Expression, a visual device that forms part of the
marque's new visual language.
The new Spirit of Ecstasy stands 82.73mm tall, compared to her
predecessor’s 100.01mm. Her robes, which flow behind her in the
slipstream – often but erroneously characterised as ‘wings’ – have
been subtly reshaped to make them more aerodynamic and realistic.
The most visible change is her stance. Previously, she has stood
with her feet together, legs straight and tilting at the waist. Now,
she is a true goddess of speed, braced for the wind, one leg forward,
body tucked low, her eyes focused eagerly ahead. These changes have
both practical and stylistic benefits, contributing to Spectre’s
remarkable aerodynamic properties. The earliest Spectre prototypes
have a drag coefficient (cd) of just 0.26, making it the
most aerodynamic Rolls-Royce ever created. The figure is expected to
improve during the product’s exhaustive testing protocols undertaken
in 2022.
This new expression captures the essence of Charles Sykes’
original drawings, but rather than simply being ‘redrawn’ or
‘redesigned’, her new shape has been digitally sculpted by a computer
modeller working at the Home of Rolls-Royce, who has a passion for
life drawing and sculpture. Their experience in this field was
invaluable in developing the figurine’s elegant lifelike facial
features as well as her expression, which deftly combines focus and
serenity. The designers also consulted stylists at Goodwood for their
perspective on her hair, clothes, posture, and expression, adding an
authentically contemporary aura to her dynamism and commanding presence.
While all figurines are made using one of the oldest known
casting techniques, named ‘lost wax casting’ or ‘cire-perdue’, each is
individually finished by hand, so will be minutely different from
figurine to figurine. As well as continuing a long Rolls-Royce
tradition – until 1939, the mascots were made and polished by Charles
Sykes himself – this subtle, ephemeral human element creates an
intriguing contrast to the precise, highly engineered motor car she
sits atop.
Though relatively rare in the modern era, changes to the Spirit
of Ecstasy have been made throughout her 111-year lifespan. She has
been rendered in various sizes and materials and, briefly, in a
kneeling position. The new version created for Spectre will appear on
all future models: the current design will still be used on Phantom,
Ghost, Wraith, Dawn and Cullinan and their Black Badge alter egos
where applicable.
AN ARTISTIC EXPRESSION OF THE ICON
Simultaneously, Muse, the Rolls-Royce Art Programme,
has announced the jury for the Spirit of Ecstasy Challenge. This
inaugural initiative invites the brightest and boldest young creatives
to reimagine the icon of the Spirit of Ecstasy in a context beyond her
current home on a Rolls-Royce motor car. In doing so, these young
artists will create high-concept pieces that surprise, delight and inspire.
For each edition of this prestigious biennial event, a global
panel of expert judges will select a medium for the emerging designers
from which to create an artistic interpretation of the Spirit of
Ecstasy. For this edition, that medium is textiles. The esteemed jury
members are: Anders Warming, Director of Design, Rolls-Royce Motor
Cars; Yoon Ahn, Creative Director of Ambush and Jewellery Director at
Dior Men; Tim Marlow, Director and Chief Executive of the Design
Museum in London; and Sumayya Vally, Principal of South African
architectural practice, Counterspace. Together, they will select three
finalists to participate in this extraordinary artistic initiative.
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